The best vlogging cameras for 2025

The best vlogging cameras for 2025

If you’re a content creator or YouTuber, Sony, Canon and other camera companies want your business. There are more vlogging-specific models than ever, with several new models having arrived since our last guide, including Fujifilm’s XM-5.

Recent vlogging-specific models include Sony’s new ZV-E1 full-frame mirrorless that launched last year, DJI’s Osmo Pocket 3 and Canon’s compact PowerShot V10. Others in this guide, like the new Panasonic G9 II and Canon’s EOS R6 II are hybrid mirrorless cameras that offer vlogging as part of a larger toolset.

Many have certain things in common, like flip-around screens, face- and/or eye-detect autofocus and stabilization. Prices, features and quality can vary widely, though. To that end, we’ve updated our guide with all the latest vlogging cameras designed for novice to professional creators, in all price ranges. Engadget has tested all of these to give you the best possible recommendations.

If you’re just starting out in vlogging or need a small, rugged camera, an action cam might be your best bet. In general, they’re easy to use as you don’t have to worry about things like exposure or focus. Recent models also offer good electronic stabilization and sharp, colorful video at up to 4K and 60 fps. The downsides are a lack of control; image quality that’s not on par with larger cameras; and no zooming or option to change lenses.

DJI

Late in 2023, DJI unveiled the Osmo Pocket 3 and I called it “maybe the only vlogging camera you need.” It has a big one-inch sensor, which is the same size as the one on Sony’s ZV-1 II compact camera. That boosts image quality considerably, particularly in low light. It also has a new, large swiveling touchscreen that makes it easier to switch between horizontal and vertical video.

What really makes it great for vlogging are the follow modes combined with face tracking. If you’re working solo, you can simply set it up and it’ll rotate and tilt to follow you around. That also applies for walk-and-talk vlogging, so you don’t have to worry about focus or even pointing the camera at yourself. There’s very little not to like about the Osmo Pocket 3, but it’s not ideal for photos due to the reduced resolution —, and it’s also quite expensive.

$669 at Amazon

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GoPro

GoPro’s Hero 13 Black hasn’t changed much from the Hero 12 on the inside, but the design is a whole new story. It’s now available with a new family of modular lenses called the HB series (ultra-wide, anamorphic and macro), making it far more versatile for action creators. It also has a slightly bigger battery that allows longer capture times, up to 90 minutes for 4K 30fps video.

Other specs remain the same, including up to 5.3K at 60 fps in 10-bit color with high data rates, and 8:7 capture that uses the entire sensor. Otherwise, the Hero 13 still has the best digital stabilization (aka Hypersmooth) of any action camera, a full-color front screen and still offers the best image quality in its class.

$330 at Adorama

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DJI

DJI’s Action 5 Pro is a nice alternative to the GoPro 13. Its best feature is the large 1/1.3-inch sensor that makes it better than its rival in low light. It also tops the action cam battery life charts at well over two hours while shooting in 4K 60p. Another nice feature is 47 GB of internal storage, a big help if you fill or forget your microSD memory card. And the Osmo Action 5 Pro works directly with DJI’s noise-cancelling Mic 2 and Mic Mini wireless microphones, providing an easy way to record high-quality sound. The Action 5 Pro’s main downsides are relatively low resolution and slightly poorer stabilization compared to the competition.

$329 at Amazon

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Insta360

Cameras that can record 360-degree video can perform a nice trick: letting you reframe action after you shoot it or capture immersive video for virtual reality. Insta360 simply dominates this category, with no rival even close to its latest X4 model. It captures action at up to 8K 30fps or 5.7K at 60fps, providing more detail when you reframe it to 16:9 for viewing on a regular screen.

At the same time, the Me Mode that produces flat video (with automatic selfie stick removal) has been upgraded from a maximum 2.7K 30fps to 4K 30fps. The X4 now has removable lens guards included to protect the lenses from damage in rough shooting conditions. It also offers solid battery life, waterproofing to 10m and a free editing app. However, low-light capability slightly lacks next to the Action 5 Pro.

$425 at Amazon

Compact cameras are a step-up option from smartphones or action cameras, with larger sensors and much better image quality. At the same time, they’re not quite as versatile as mirrorless or DSLR cameras (and not necessarily cheaper) and they lack advanced options like 10-bit video. For folks who want the best possible quality without needing to think too much about their camera, however, it’s the best option.

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Sony

The 20-megapixel Sony ZV-1 II is a follow-up to the company’s ZV-1, a compact camera based on the RX-100 series that uses a 1-inch sensor. It does that job well thanks to a lightweight body, built-in high-quality microphone, flip-out display, 4K 30p video, best-in-class autofocus and excellent image quality. The 18-50mm f/1.8-4.0 lens is sharp and wider than on the ZV-1, so it’s better for vlogging. One very nice feature is the built-in neutral density filter, but it does lack optical image stabilization.

$898 at Amazon

This is the class that has changed the most over the past couple of years, particularly in the more affordable price categories. Interchangeable lens cameras give you the most options for vlogging, offering larger sensors than compact cameras with better low-light sensitivity and shallower depth of field to isolate you or your subject. They also offer better control of your image with manual controls, log recording, 10-bit video and more. The drawbacks are extra weight compared to action or compact cameras, extra complexity and higher prices.

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Canon

A good buy if you’re on a budget is the 24.2-megapixel Canon R50. It can shoot bursts at up to 15 fps in electronic shutter mode, and offers 4K 10-bit video at up to 30p with supersampling and no crop. It has a fully articulating display, and unlike other cameras in this price range, an electronic viewfinder. It uses Canon’s Dual Pixel AF with subject recognition mode, and even has a popup flash. It’s rumored that Canon will release a new version of the R50 soon, however, so it might be worth waiting until then to see what the new model offers and whether it pushes the price of the current model down.

$645 at Walmart

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Nikon

If you want to look great while vlogging, check out Nikon’s stylish Z fc. It’s largely identical to the Z50, with features like a 20.9-megapixel APS-C sensor, 4K at 30 fps and a reliable phase-detect autofocus system with face detection. However, the Z fc brings a vari-angle touchscreen to the party and has a beautiful vintage body covered with convenient manual controls. It doesn’t have built-in optical stabilization, but you can get that via a lens.

$997 at Amazon

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Canon

Canon’s mainstream hybrid mirrorless camera, the EOS R6 II, offers solid video features. It offers full sensor 4K supersampled from 6K at up to 60 fps for maximum sharpness and renders pleasing colors and skin tones. Autofocus is quick and more versatile than ever thanks to expanded subject detection. It’s still not quite up to Sony’s standards, though, and the microHDMI and lack of a CFexpress slot isn’t ideal.

$2,499 at Amazon

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Sony

Sony has no less than five models in its content-creator ZV lineup, and the ZV-E1 is its most capable by far. Based on the video-centric A7S III, it has an outstanding feature set for video including 10-bit 4K at up to 120p, and is a low-light champ to boot. It also offers cool AI features like auto-framing and dynamic stabilization that are very handy for vloggers. The main drawback is a lack of sharpness, but at a price $1,300 cheaper than the A7S III, it’s a highly recommended vlogging camera.

$2,198 at Amazon

If you’re not quite ready to buy, there are some interesting options on the horizon. Canon just teased a camera which could be the R50 V, likely to be a vlogging-focused update to the R50 I recommended. Canon may also announce the availability of the PowerShot V1, a compact camera with a Type 1.4 sensor that’s larger than the 1-inch sensors found on most compact cameras.

Meanwhile, Panasonic just announced the S1R II, a 45-megapixel hybrid camera. Though the high resolution would suggest it’s mainly for photography, the S1R II can shoot 8K video at up to 30 fps and capture 5.7K 30 RAW internally. It’s fairly expensive, but considerably cheaper than other options including the Nikon Z8 and Canon EOS R5 II. That model is now on pre-order and set to start shipping by the end of March — stay tuned for Engadget’s review.

Vlogging cameras are designed for filmmakers who often work alone and either use a tripod, gimbal, vehicle mount or just their hands to hold a camera. It has to be good not just for filming yourself, but other “B-roll” footage that helps tell your story.

The number one requirement is a flip-around screen so you can see yourself while filming. Those can rotate up, down or to the side, but flipping out to the side is preferable so a tripod or microphone won’t block it.

Continuous autofocus (AF) for video with face and eye detection is also a must. It becomes your camera “assistant,” keeping things in focus while you concentrate on your content. Most cameras can do that nowadays, but some still do it better than others.

If you move around or walk a lot, you should look for a camera with built-in optical stabilization. Electronic stabilization is another option as long as you’re aware of the limitations. You’ll also need a camera with a fast sensor that limits rolling shutter, which can create a distracting jello “wobble” with quick camera movements.

How to buy a vlogging camera in 2020How to buy a vlogging camera in 2020

Steve Dent/Engadget

4K recording is another key feature. All cameras nowadays can shoot 4K up to at least 24 fps, but if possible, it’s better to have 4K at 60 or even 120 fps. If you shoot sports or other things involving fast movement, look for a model with at least 1080p at 120 fps for slow-motion recording.

Video quality and color accuracy are other important considerations, especially for skin tones. Good light sensitivity helps for night shooting or concerts, and a log profile helps improve dynamic range in very bright or dark shooting conditions. If you want the best possible image quality and can afford it, get a camera that can record 4K with 10-bits (billions) of colors. That will give you more options when you go to edit.

Don’t neglect audio either; if the quality is bad, your audience will disengage. Look for a camera with a microphone port so you can plug in a shotgun or lapel mic for interviews, or at least one with a good-quality built-in microphone. It’s also nice to have a headphone port to monitor sound so you can avoid nasty surprises after you’ve finished shooting.

You’ll also want good battery life and, if possible, dual memory card slots for a backup. Finally, don’t forget about your camera’s size and weight. If you’re constantly carrying one while shooting, especially at the end of a gimbal or gorillapod, it might actually be the most important factor. That’s why tiny GoPro cameras are so popular for sports, despite offering lower image quality and fewer pro features.

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