

Directed by Simon Curtis, this edition of Downton Abbey transports viewers to the Crawley family and the household servants enjoying the glittering London Season in the summer of 1930. As the festive elite gather at Lady Petersfield’s Ball – the highlight of the social calendar – a shocking announcement brings Mary to the centre of public scandal: newly divorced, her aristocratic identity redirects her from the position of society darling to shamed outcast. Alongside the family’s financial worries, they are also dealing with the aftermath of this newly minted divorce being publicised.

The central storyline, being Mary’s divorce, which holds dire significance in the 1930s for a family with this social standing, positions Mary as an impressive businesswoman, well-equipped to take on the outrageous controversy. Set against the backdrop of elegance and tradition, Downton Abbey: The Grand Finale explores themes of dignity and transformation, eloquently incorporated by writer Julian Fellowes.
The director continued, “I love those little moments of humanity between the different characters, with the added poignancy that, very often, these moments are their final moments together. Julian has such great humanity, and he gives every character, no matter what their class or their sex or their age, dignity, wit and warmth.”
Downton Abbey: The Grand Finale opens on screens on 12 September 2025.
Also Read: Movie Review: Downton Abbey
This article first appeared on Filmfare
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