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Shabareesh Varma has built a reputation for picking characters that feel textured and alive, even when they appear briefly on screen. Although we know him first as the lyricist of some iconic Malayalam songs like Malare and Poyimaranjo, Shabareesh has equally carved a niche for himself as an actor. From Premam to Kannur Squad to Gold to Sahasam, he has consistently found ways to make supporting roles memorable. With Inspection Bungalow slated to premiere on Zee5 on November 14, he marks a significant moment in his career as he leads the web series with a fully comedy driven performance that pushes him into a space he has never explored before.

Ahead of the release, Shabareesh talks about what drew him to the world of Inspection Bungalow, why humour may be the missing spark in Malayalam OTT and how the demands of fast paced digital storytelling have reshaped the way he approaches character-based roles.

This is your first major appearance in the OTT space. What was your first reaction when Inspection Bungalow was offered to you?

The project came to me through producer Veena Nair. She and director Saiju took me through the script in detail. Their narration had clarity, especially in how they introduced my character and the way the story unfolded. I found myself getting comfortable with the idea almost instantly. It felt like a space where I could try something new. The character was written with a different rhythm compared to the roles I have played before, and that difference made the decision easy.

Many mainstream actors are looking for something unusual when they step into OTT. What worked for you here?

I have played police officers before, but usually they are serious or grounded. In Inspection Bungalow, I play Vishnu, a cop who is hyper religious, easily frightened and expressive in ways that are very unlike me. I have never played someone with this level of nervous energy. It was an opportunity to create a memorable personality through small reactions and quirks. Whenever I choose a role, I look at the space it occupies in the narrative. Even if the character is not the central focus, I try to find a flavour that makes the performance stick with the audience. Vishnu gave me that scope.

The trailer has a loud, fun tone. What was the atmosphere on set like?

The show is built as a comedy, but the intention was not to turn it into an exaggerated showpiece. We approached the humour honestly. Horror comedy works because the character is terrified and the audience finds the reaction funny. It is a very situational type of humour. The episodes are designed with pace and tightness. A web series does not function like a film where you can lean on romance or dramatic buildup. The humour becomes the engine that keeps everything moving. As a team, we wanted viewers to feel that the characters are genuinely scared, not performing fear for laughs. The comedy should come naturally from the situation.

Shabareesh Varma on His Funniest Role Yet and the Leap Into OTT

You mentioned how different the workload is in OTT. What was the biggest shift from films?

Time. In Malayalam cinema, it is normal for shoots to stretch over sixty days or more. There is time to polish performances and make decisions slowly. With a web series, everything moves much faster. Budgets are tighter, schedules are shorter and decisions have to be made quickly.

I had roughly fifteen to twenty scenes and completed my share in about the same number of days. That speed affects how much you can improvise. You need to be sharp, prepared and ready to deliver. I believe the Malayalam OTT industry is still adapting to these constraints. Once bigger investments come in, creators will start getting the freedom they enjoy in films.

Malayalam OTT is still waiting for that one big breakout show. Why do you think the growth has been slower?

It is mostly about demand and investment. Without a highly successful web series, investors are cautious. Malayalam cinema has a reputation for emotional depth and strong storytelling, but web series here began with very serious subjects. That tone limited the audience.

For OTT to grow, we need genres people naturally enjoy. Humour, romance and action have wide appeal and can bring in large viewership. Once a single show becomes a runaway hit, the industry will open up and the investment will rise. With more investment comes better production value, better writing time and more creative risk taking.

Your scenes with co-actor Shaju Sreedhar in the trailer really stand out. How was it working with him?

Shaju Chetan has a natural instinct for comedy. He knows exactly when to react, how much to react and how to give space for others in a scene. Working with him is effortless because he sets the tone. Every actor in the police station setup had a distinct personality and the environment allowed us to play off each other.

Even though the story involves an investigation, the mood on set was far from serious. The director, producer and technical crew made sure we had a comfortable space to try things. When everyone is happy and relaxed, the scenes automatically become better.

Was there room to improvise or were you tied to the script due to deadlines?

We had a strong script, so most of what you see is planned. However, comedy always leaves a little space for instinct. If something felt right in the moment, we tried it. The only limitation was time. With such a tight schedule, we had to be selective about how much we experimented.