
Ask cinephiles their favourite Raj Khosla movie, and the answers will widely vary — some will choose the noir CID (1956), others, the mystery drama Woh Kaun Thi? (1964), and some others, Dostana (1980). The one thing they will agree on, however, is that the director was a master across genres. It is this mastery that Film Heritage Foundation (FHF) aims to celebrate with the retrospective, Raj Khosla 100 — Bambai Ka Babu, at Regal Cinema in Mumbai tomorrow. Marking the filmmaker’s birth centenary, the day-long celebration will feature a panel discussion with veteran actor Asha Parekh, filmmaker Mahesh Bhatt, and Amborish Roychoudhury, author of Khosla’s biography. Not just that, his classics — including CID, Bombai Ka Babu (1960), and Mera Gaon Mera Desh (1971) — will be screened.
Parekh, who had worked with the late director on several films, remembers him as one who put his leading ladies at the centre of the narrative, at a time when they were largely sidelined. “Do Badan [1966], Chirag [1969], Main Tulsi Tere Aangan Ki [1978], and Mera Gaon Mera Desh are among my favourite films. Before [working] with Raj Khosla , I was known more for my dancing and glamorous roles. Do Badan changed people’s perception of me as an actor who could perform serious roles. He was a fine filmmaker,” she reminisces.
Shivendra Singh Dungarpur, Director, FHF, notes that Khosla successfully dabbled in many genres in his three-decade career. “I’d describe him as the Howard Hawks of Indian cinema for his ability to successfully make films in every genre. He excelled in song picturisation, and was known for having strong female characters in his films.”
This article first appeared on Mid Day
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