Panasonic's S1 II is its most powerful creator camera yet

After dropping a rare photography-oriented camera recently with the S1R II, Panasonic is going back to its creator roots. The company just unveiled the S1 II, a 24-megapixel full-frame mirrorless camera with a partially-stacked sensor (like the Nikon Z6 III) that can capture 6K ProRes RAW video internally with minimal rolling shutter wobble. At the same time, Panasonic is pitching it as a relative value next to full stacked sensor cameras.

With the same body as the S1R II, the S1 II is considerably smaller and lighter than the original S1 while still offering a large grip and full complement of manual controls. It also comes with a display that both tilts and flips out, a high-resolution 5.76 million-dot electronic viewfinder, CFexpress Type B and SD UHS-II card slots and optional support for Panasonic’s 32-bit float audio. 

Photographers get up to 70 fps burst shooting speeds in electronic shutter mode and 10 fps with the mechanical shutter (along with 1.5s pre-burst capture). They can also take 96MP high resolution shots (with no tripod needed), along with live view composites, multiple exposures and timelapse animations. Autofocus is via Panasonic’s latest AI Phase Hybrid AF with Eye/Face AF, AF tracking and detection of animals, vehicles and a new category, “urban sports” (ie breakdancing). 

On paper, though, this is more of a video-oriented camera camera. You can shoot ProRes and ProRes RAW video at up to 5.8K and 3:2 “open-gate” video at 5,952 x 3,968 resolution, along with 4K at 120 fps. It supports V-Log / V-Gamut capture with dual native ISO at 640/5000 and up to 15 stops of dynamic range. In addition, you get anamorphic video modes plus external RAW HDMI recording in either ProRes or Blackmagic formats. 

Panasonic boosted in-body stabilization to 8.0 stops via it’s Dual I.S.2 system, while also offering the cropless IBS mode introduced on the S1R II. Optical smoothing can can be enhanced with electronic stabilization when more aggressive smoothing is required for walking or quick camera movements. 

Panasonic

Other key features include video monitoring tools like false color and exposure review, live streaming, wired webcam supports via USB-UVC/UAC (a first for Panasonic) and support for the Lumix Flow app that lets you do things like creator storyboards and shot lists for quicker editing. And as with other recent models, the S1 II supports real time LUTs and the Lumix Lab app, letting you download creator designed film looks that can be baked in to your video or added later in post. Panasonic will also introduce ARRI LogC3 so that the S1 II, S1R II and S1 IIE can be used in conjunction with ARRI digital cinema cameras. 

The Panasonic S1 II is now available for pre-order at $3,199 (body only) with shipping set to start on June 16th. That price is high next to its main competition, the Nikon Z6 III, which retails for $2,497 and is often on sale. 

Panasonic

Panasonic does have an answer to that: the $2,499 S1 IIE that has the body and features of the S1 II but lacks the stacked sensor and high-speed photo bursts. Panasonic also introduced an interesting lens, the Lumix S 24-60mm f/2.8. It offers the features and most of the range of its $2,000 Lumix S 24-70mm f/2.8 lens but in a smaller and lighter size and at a lower $1,200 price tag. I’ve had the S1 II for a short time now and have been impressed so far with its speed and capabilities, so stay tuned for a full review with final firmware.

This article originally appeared on Engadget at

This article first appeared on Engadget